October has come early at Café Deco at the Venetian Macau Resort this weekend. The largest restaurant in Asia is bringing the frivolity and craziness of a German Oktoberfest to their establishment and sparing no expense.
“We’ve flown in a band from Austria, real German beer, real German sausage, it’s going to be huge,” said an excited Ada Chan, PR and Marketing Executive for Café Deco.
The three day event is sponsored by Paulaner Beer direct from Munich, and will help celebrate the restaurants second anniversary. Joining in the festivities by way of prize donations are the Venetian Resort, Zaia (Cirque du Soleil), Guess and the Maloclinic Spa.
“We’re expecting around 300 people per day, so it will be first come first served,” said Chan. Anton and the Funny Guys, an experienced beer festival band from Austria, will entertain the crowd from 6.00pm each day and promise loads of games, music and fun.
This is one serious Oktoberfest that has Café Deco’s CEO and Operations Manager very excited. “Both are German themselves so they’re committed to making this as authentically German as possible,” said Chan.
Deco is going all out redecorating their restaurant with flags, long tables and bench style seating, even wait staff dressed in traditional Oktoberfest lederhosen. Mugs and an unusually designed t-shirt displaying lifelike round beer belly prints, will be available as souvenirs of the occasion.
Alan Yu, Deco’s Executive Chef will use his experience with beer festivals in Hong Kong to prepare traditional food symbolic of the Oktoberfest – German sausage, roast beef, pork knuckle, pretzels with mustard sauce and of course the classic cheesecake for dessert.
Coinciding with Café Deco’s second anniversary the celebratory weekend kicks off tonight at 6.00pm, as well as Saturday and Sunday at the same time. Entrance fees are MOP$145 which includes a half litre of beer, naturally, or you can opt for MOP$255 which includes a half litre of beer as well as a main meal with two side orders.
“This is the first German beer festival at the Venetian and we intend it not to be the last,” said Chan. “We want to give our guests something to talk about, and look forward to each year. By getting in early we intend on setting a benchmark in authenticity, a true German festival experience in every way.”
Children are very welcome to attend with their families, so bring on the beer and cheers!
by Fran Blandy
Leopard-print in acid pink and orange show African fashion with a twist, flinging curio-like interpretation off the ramp as local designers seek to show their diverse talent and find global appeal.
From outrageous denim couture to muted safari-chic in flowing white and khaki, the ramps at the just-ended Cape Town Fashion Week sought to prove the continent should no longer be pigeonholed as a provider of stereotypical prints and fabrics.
"It is important not to take Africa too literally. It doesn't always have to be brown and burnt orange," says Chris Kilchling of Undacova, whose 1980s inspired leopard-print underwear and unconventional use of African symbols takes the trend of clashing prints and gives it a local feel.
Africa's top designers have made inroads globally, but the nation is still often relegated to sideshows on global ramps or inspiration for safari looks.
"I think it is just about educating. The African fashion scene is actually very diverse," says Stephanie Viera of the Cape Town Fashion Council, adding most of the designs "could be from anywhere".
"It is certainly not just stereotype Afro-chic. It is about modern Africa."
South Africa's fashion scene struggles to find a common platform, with organisers staging competing events all year, making it difficult for buyers to pick one that stands out to showcase what the continent has to offer.
The first annual Cape-to-Cairo style effort was recently held in the financial capital Johannesburg, bringing designers from Egypt to Botswana with collections that ranged from futuristic metallics to 1950s-nostalgia.
The aim was to create a space and market in the cluttered international fashion week calendar, said organisor Precious Moloi-Motsepe of African Fashion International.
"Our continent is very very diverse," Moloi-Motsepe told AFP. "It's been challenging for most African designers. African designers are always expected to show almost like your costume type of designs that is very theatrical."
"We know that they are capable of producing ranges that can be saleable on the market that is ready to wear, that is contemporary, but has an African aesthetic to it.
For trend analyst Dion Chang, instead of an "oh shame, we must really help Africa" attitude, an international aesthetic needs to be developed which does not smack of what he calls "curio-continent".
"If you want to be taken seriously internationally, you have to give that international aesthetic," he said. "It's a business. You're trying to sell clothes at the end of the day."
Top South African designer David Tlale, who has notched up awards and shown on catwalks in fashion capitals, said he is often asked if he is based in London when he travels abroad with his clothes.
"I'm from Johannesburg, South Africa. They go 'really, with that collection?'," he said.
"In the past people have always said 'oh Africa is not ready, Africa does not deliver, Africa does not know how to do it'. My take as a designer is to prove that statement wrong, to say Africa has it all."
Having moved temporarily to Australia during apartheid in the 1980s, South African designer Craig Jacobs of label Fundudzi recalls being asked by local children if he had a pet giraffe or lion.
"That's the perception that a lot of people have about the rest of Africa," he said.
"I don't think they know about design – they don't think about it like that. There's a lot of information that still needs to go out there."