King ponders death in new 21-story ‘Bazaar of Bad Dreams’

“The Bazaar of Bad Dreams” (Scribner), by Stephen King

Stephen King has always addressed his “Constant Readers” in prefaces or afterwords to his books. He likes to share what inspired him or what he was thinking about when he wrote it.
But with the release of “The Bazaar of Bad Dreams,” King takes it to another level. Each of the 21 works of fiction in the collection features at least a paragraph, sometimes a few pages, from the author introducing it or sharing some detail to enhance reader appreciation. Or as he writes in an invocation to his “bazaar”: “Everything you see is handcrafted, and while I love each and every item, I’m happy to sell them because I made them especially for you. Feel free to examine them, but please be careful. The best of them have teeth.”
The most toothsome of the bunch are “Morality,” an exploration of how far someone will go for a payday, and the longest of the lot, a 60-page tale called “Ur” that mocks today’s Kindle culture and contains more than a few veiled references to King’s beloved Dark Tower mythology.
This being King, there’s lots of death in these pages. And while there’s a smattering of the supernatural — an abandoned car on the Maine turnpike whose grill does more than catch bugs — there are also quite a few mediations on mortality. “Afterlife” tells the story of a man who dies from colon cancer and gets to keep living the same life; “Obits” mocks the TMZ-ification of media, featuring a columnist who can kill people by writing their obituaries in advance; and “Under the Weather” tells the story of an adman who can convince anyone of anything, including that his wife is just like the title says.
King fans will find a few clunkers here as well, according to their taste. I personally didn’t care for the two bits of poetry in the collection. King acknowledges in one of his intros that he’s a born novelist and that even short stories are a challenging discipline for him, so why bother sharing a few scraps of verse?
All in all, though, it’s a meaty collection with interesting insights into the creative process of a writer who caused many sleepless nights. Well worth keeping on your bedside table for those evenings when, as King puts it: “… sleep is slow to come and you wonder why the closet door is open, when you know perfectly well that you shut it.”
Rob Merril, AP