Drive In | Back roads brutality in ‘The Devil All the Time’

Say what you will, Antonio Campos' "The Devil All the Time" lives up to its title. Spanning numerous generations and set across a bleak and blood-stained Appalachian landsc ape, Campos'

Drive In | In ‘Copperfield,’ Iannucci brings Dickens to life

It's not hard to draw a straight line from Charles Dickens to Armando Iannucci. In each there's a passion for human frailty and absurdity, and, above all, a richness of

Drive In | Handsome, broken Aussies connect in ‘Dirt Music’

Everyone is sad in the Australian indie “ Dirt Music,” a sprawling story about a small fishing town, an affair and the dark secrets that tie everyone together. But at

Drive In | Beyoncé’s ‘Black Is King’ is supreme Black art

King Beyoncé’s new film takes you on a journey of Black art, music, history and fashion as the superstar transports you to Africa to tell the story of a young

Drive In | In ‘Painter and the Thief,’ an unlikely friendship

The documentary “The Painter and the Thief” has a few wrinkles to add to the old Picasso adage that great artists steal. “The Painter and the Thief,” by Norwegian filmmaker Benjamin

Drive In | A grotesque, inglorious look at Capone’s last year

Al Capone lived out his final years on a grand estate in Palm Island, Florida, with his wife, Mae, by his side and grandchildren running around the property. It sounds

Drive In | An out-of-this-world experiment in ‘Spaceship Earth’

During lockdown, have you taken a moment to appreciate that at least you’re not quarantined with eight free-thinking adventurers in a terrarium of depleting oxygen levels? Matt Wolf’s documentary “Spaceship Earth”

Drive In | A six-decade romance story in ‘A Secret Love’

Terry Donahue, the subject of the new Netflix documentary “ A Secret Love,” was a catcher for the All-American Girls Professional Baseball League. Yes, kind of like Geena Davis’ character Dottie

Drive In | ‘Beastie Boys Story’ isn’t a sure shot, but it’ll do

Little was predictable about the Beastie Boys in their three-plus decades of making music. They were spontaneous, always evolving, off-the-cuff pranksters who turned pro without ever losing the punchline. Even seeing

Drive In | Hemsworth finds a worthy action pic in ‘Extraction’

Tyler Rake sounds like a Mad-Libs action hero name. When you add to the mix that this character actually, literally kills someone with a rake, it starts to veer into

DRIVE IN | A sober diplomacy drama in ‘Sergio’

The United Nations diplomat Sérgio Vieira de Mello has been described as a cross between James Bond and Bobby Kennedy, which sounds like a compelling enough pitch for a film

Drive In | In ‘Uncorked,’ a full-bodied coming-of-age tale

The wine movie is not exactly known for a bouquet of tasting notes. From “Wine Country” to “Bottle Shock,” they are usually light, amiable movies that amble through sunny fields

Drive In | In ‘Tigertail,’ an intergenerational immigrant tale

Oh, to be the other “Tiger” on Netflix. Alan Yang’s “Tigertail” is either blessed to arrive in the stormy wake of “Tiger King,” or doomed to be the other “Tiger” title

‘Bad Boys for Life’ is kinda bad. Whatcha gonna do?

The third edition of the “Bad Boys” franchise starts as it must do: With a gleaming Porsche swerving at impossible speeds through Miami traffic under the expert

‘Dolittle,’ with Robert Downey Jr., is a disaster

Dr. Dolittle, who favored animals and shunned humans, was on to something. The century of human history since Hugh Lofting, in 1920, created his eccentric veterinarian

Marcus King stirs soul, rock, country on ‘El Dorado’

Marcus King’s solo debut is an enticing mix of deep soul, rock and country in the best Southern traditions. King, though just 23 years old,

Kristen Stewart can’t save ‘Underwater’ from sinking

Welcome to January, which, in terms of quality movies, is the worst, the lowest, the abyss. Actually, that’s pretty accurate when it comes to the latest,

Forget CGI. Dench is the special effect in ‘Cats’

There’s apparently enough groundbreaking technology used in “Cats” for NASA to send a rocket to unexplored parts of the universe — perhaps to a far-off planet where

‘Last Christmas’ isn’t the rom-com cliche it appears

Paul Feig’s “Last Christmas” looks every bit like your standard holiday romantic-comedy, but it has some surprises under its gauzy wrapping. Kate (Emilia Clarke) works in

‘Dark Waters’ plunges into ‘forever chemicals’

Todd Haynes’ “Dark Waters,” about the prolonged (and ongoing) legal fight to uncover the environmental damage of cancer-inducing “forever chemicals” and hold their corporate makers accountable, is

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