K-pop group Blackpink’s ‘Deadline’ is a fantastic, if too short, return to form

‘Deadline’ by Blackpink (The Black Label) For those who love the K-pop girl group: Has a more thrilling phrase than “Blackpink in your area!” ever

Mars is for lovers on his first album in 10 years

“The Romantic” by Bruno Mars (Atlantic Records) Bruno Mars is back — did you miss him? The 16-time Grammy Award-winning Mars is an undisputable

K-pop group Blackpink’s ‘Deadline’ is a fantastic, if too short, return to form 

“Deadline” by Blackpink (The Orchard) For those who love the K-pop girl group: Has a more thrilling phrase than “Blackpink in your area!” ever been

Hilary Duff is a pop star reincarnate on ‘Luck… or Something’

“Luck… or something” by Hilary Duff (Atlantic) Hilary Duff is a pop star once more – if a pop star ever truly stops being one.

Manor delivers nostalgia, polished and punk in new album

“I Used to Go to This Bar” by Joyce Manor (Epitaph Records) In his seminal 1981 book “Simulacra and Simulation,” cultural theorist Jean Baudrillard argued

Megadeth is going out on top with ferocious self-titled final album

Self-titled album by Megadeth Tradecraft/BLKIIBLK) A fter more than 40 guitar-shredding years, Megadeth is going out on their own thunderous terms. The Grammy-winning thrash metal

Waxahatchee surprises by releasing ‘Snocaps’ with twin sister

‘Snocaps’ by Snocaps (ANTI- Records) For the recently converted Waxahatchee fan, Alabama-raised singer-songwriter Katie Crutchfield does not drum up the image of distorted riffs, scrappy

Florence + the Machine’s ‘Everybody Scream’ wrestles with greatness and mortality

“Everybody Scream” by Florence + The Machine” (Republic Records/Polydor Records) During his acceptance speech for best actor at this year’s Screen Actors Guild Awards, Timothée Chalamet

Rosalía’s ‘Lux’ is unlike anything in mainstream music — thank God

“LUX” by Rosalía (Columbia Records) Before Rosalía became a global pop phenomenon, she was Rosalía Vila Tobella — a flamenco student at Catalonia’s elite College of

Brandi Carlile looks inward on the great ‘Returning to Myself’

“Returning to Myself” by Brandi Carlile (Interscope Records) It’s been 20 years since Brandi Carlile released her self-titled debut album. After two decades of extensive collaborations

Olivia Dean breaks down ‘The Art of Loving’ with jazzy soul-pop sounds

Olivia Dean performs at the Austin City Limits Music Festival last Saturday Olivia Dean, the rising British soul pop singer-songwriter, has returned with a confident sophomore

Khalid bounces back with complex look at love in ‘After the Sun Goes Down’

“After the Sun Goes Down” by Khalid (RCA Records) If you want to know how far Khalid has traveled in a year, just look at his album

Geese’s ‘Getting Killed’ is Brooklyn band’s most accessible album yet

“Getting Killed” by Geese (Partisan) There’s a bomb in my car!” Geese frontman Cameron Winter warns through blood-curdling screams on “Trinidad,” the opening track of the band’s

King Princess scoffs at heartbreak on ‘Girl Violence’

“Girl Violence” by King Princess (section1) It’s impossible to hear King Princess groan “I’m a loser” on their ambitious third album and not think of Beck singing

Sabrina Carpenter’s ‘Man’s Best Friend’ is a sincere but still sexy breakup album

“Man’s Best Friend” by Sabrina Carpenter (Island Records) If Sabrina Carpenter’s “Short n’ Sweet” celebrated the start of a romantic relationship, the pop sensation’s seventh studio album,

Jon Batiste opts for chill vibe on stripped-down album, ‘Big Money’

Big Money” by Jon Batiste (Verve) On “Big Money,” Super Bowl-sized singer Jon Batiste opts for a surprisingly intimate sound. The just over 32-minute, nine-song set

English post-punks Wet Leg level up on sophomore album

A few songs into the second studio album from buzzy English post-punks Wet Leg, singer Rhian Teasdale yells “level up!” And level up they have. The alt-rock duo-turned-group

HAIM return with a superb and salty breakup album

HAIM has declared this season to be “single-girl summer” and offered us the soundtrack. Heartsick never sounded so good. “I Quit,” the fourth full-length album from the

‘Broken Branches’ offers safe, familiar, cold beer country

Nashville hitmaker Dierks Bentley has delivered “Broken Branches,” his eleventh studio album that leans into some well-tread country rock territory, the kind that invariably involves broken

Cautious Clay’s dreamy R&B-pop album is an exploration in time

Cautious Clay, the multi-instrumentalist whose dreamy R&B and indie-pop sound has earned him the attention of everyone from Arooj Aftab and John Mayer to Taylor Swift, embraces the passing

PUP’s pop-punk album is unapologetically imperfect

For those unfamiliar with Toronto-based punk rock band PUP, the name is an acronym for “pathetic use of potential,” lead singer Stefan Babcock has said. That should

Elton John and Brandi Carlile’s collaboration deepen

It started with a movie. Country star Brandi Carlile, so moved after watching a rough cut of the 2024 music documentary “Elton John: Never Too Late,” began

Jessie Reyez returns in triumph with ‘Paid in Memories’

Most artists would make the first song on their new album something welcoming, trendy or pleasing, at least to make the Spotify algorithm happy. Not Jessie Reyez.

The Lady Gaga you loved and missed returns with pop ‘Mayhem’

She hath returned: A new Lady Gaga, like the old Lady Gaga, but a different Lady Gaga. “Mayhem,” released Friday, is a satisfying full-length project of

Blackpink star Lisa’s ‘Alter Ego’ is an ambitious, chameleonic solo debut

Lisa, one-fourth of the K-pop juggernaut Blackpink, has officially stepped out on her own — releasing her first solo album “Alter Ego.” Across rap, dance and pop,

Tate entices with post-Britney Spears, dirty, breathy pop

She can sing. She can dance. She’s mastered a sultry gaze. She can write a smutty phrase. Is Tate McRae the new princess of dirty, breathy pop?

In Grammy spotlight, Khruangbin wants to ‘let the music speak for itself’

If you think your Spotify playlist is getting a little too long, consider the one shared by the members of Khruangbin. It’s got 51 hours of

CHVRCHES’ Lauren Mayberry makes feminist pop on debut solo album, ‘Vicious Creature’

Lauren Mayberry, frontwoman of the Scottish synth-pop band CHVRCHES, liberates herself from preconceptions on a punchy debut solo album, “Vicious Creature.” Mayberry’s striking voice has

Blackpink K-pop star Rosé’s debut solo album is heartfelt

Rosé, the nightingale of the massively popular Korean girl group Blackpink, has flown the nest and launched her first solo album “Rosie.” She’s the first of the

The Breeders’ Kim Deal soars on solo debut

When the Pixies set out to make their 1988 debut studio album, they enlisted Steve Albini to engineer “Surfer Rosa,” the seminal alternative record which includes

‘How to Think Like Socrates’ leaves readers with questions

The lessons of Socrates have never really gone out of style, but if there’s ever a perfect time to revisit the ancient philosopher, now is it.

The Cure return after a long break to look at mortality with one of their best albums

You might think that after being silent for 16 years, The Cure would be in a rush to get things going. Think again. It takes over three

Andy Rourke’s posthumous album is a soft swan song

Blitz Vega, the band helmed by The Smiths’ bassist Andy Rourke and Kav Sandhu of Happy Mondays, formed in 2016 and ended when Rourke died from pancreatic

Dua Saleh’s debut, ‘I Should Call Them’ is arty, experimental pop

The Sudanese-American actor/artist Dua Saleh, best known for their work as Cal Bowman on Netflix’s “Sex Education,” mesmerizes within the first few seconds of their experimental

‘The Best of Bublé’ is an overdue dive into his electrifying work

For Michael Bublé aficionados, “The Best of Bublé” is a gift — a celebration of the Canadian singer’s best work, with a couple previously unreleased songs

MACAU DAILY TIMES