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FOUNDER & PUBLISHER Kowie Geldenhuys
EDITOR-IN-CHIEF Paulo Coutinho
Macau,

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  • GEG Donates MOP700,000 to Tung Sin Tong to Support Its Annual Fundraising Campaign for the 23rd Consecutive Year

  • 300 restaurants sought for elderly healthy-meal program

  • Over 18,700 childcare subsidy cases approved, MOP546 million paid out

  • Private tutoring center bill passed with patriotism requirement for operators

  • Database of 31,000 elderly residents living alone or in two-person households established

  • Lawmakers call for prevention-first approach as fatal accidents surpass 2025 total

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Home›Extra Times›tTunes›No need for Joan Shelley to scream for attention

No need for Joan Shelley to scream for attention

By -
Friday, September 11, 2015
134
0
Joan Shelley, “Over and Even” (No Quarter)

Joan Shelley, “Over and Even” (No Quarter)

The album title and Joan Shelley’s name appear in the corner of the cover in small type, which is truth in advertising. Her music doesn’t scream for attention, and on “Over and Even,” there’s not a forte to be found.
Most of the 12 songs are framed by a couple of acoustic guitars, with an occasional keyboard, light percussion or harmony vocal from guest Will Oldham. Such sparse arrangements wisely leave plenty of room for Shelley’s soprano, which effortlessly leaps octaves and recalls Joan Baez, Sandy Denny and Linda Thompson in its soft but sturdy grace.
There’s a formality to Shelley’s delivery — “paved” becomes a two-syllable word — as she weighs the relative merits of solitude and companionship. The Kentuckian sings of stars and birds and vines and leaves and rocks and rivers, conjuring images of natural beauty to match that marvelous voice.
Steven Wine, AP

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DAILY EDITION

Thursday, November 12, 2026 – edition no. 5073
Thursday, November 12, 2026 – edition no. 5073

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