Kapok | The art of euphemism

Eric Sautedé

Macao has a bit more to offer than an unlucky hand at a Baccarat table on the Cotai Strip. By unlucky, I mean that although about 2/3rds of Macao’s GDP is derived from gambling, this constitutes about 4/5ths of the government’s revenues thanks to an effective tax rate of 39 percent on gross gaming proceeds: players have to lose if Macao is to win. Thus, by a bit more, I imply something that has little to do with money. First euphemism.

Heritage is what comes to mind, and a simple glance at the UNESCO World Heritage entry for our SAR — listed since July 2005 — reminds us of Macau’s unique character: “With its historic street, residential, religious and public Portuguese and Chinese buildings, the historic centre of Macao provides a unique testimony to the meeting of aesthetic, cultural, architectural and technological influences from East and West. […] It bears witness to one of the earliest and longest- lasting encounters between China and the West, based on the vibrancy of international trade.”

Yet, extensive descriptions of these “places of memory” fail to indicate that “vibrancy” comes in many guises: most of the buildings were somehow built thanks to riches derived from opium trafficking and the horrendous coolie trade, and of course from gambling activities. Lou Kau, the nineteenth century merchant whose mansion remains part of the heritage centre, made his fortune selling opium and operating gambling dens. If the traditional Fantan game was the main deal, Lou Kau also operated the vaeseng lottery, largely based on the results of the Qing Imperial Civil Service Examinations. Opium consumption and gambling were seen by Chinese reformers and nationalists as the two vices putting China to its knees, and gambling was ultimately banned in Guangdong, pushing Lou Kau to commit suicide in 1906 because of the debts he had incurred across the border. Second euphemism.

Let’s face it, these heritage landmarks, a crucial element in the government’s supposed diversification efforts, could be better managed. This is what Sharif Shams Imon, who oversees the Heritage Management Programme at the Institute for Tourism Studies, hints at in the very interesting interview with Business Daily this week. For him, if the government has failed to provide a Protection and Management Plan, despite UNESCO’s many requests, it is simply because “the government has to go through certain procedures and it has its own political environment.” The UNESCO admonition, ever since the first concerns with the Guia lighthouse just one year after the listing in 2005, is a warning and could ultimately lead to a simple de-listing. So, the government is not doing what it should and certainly not hiring people who could help do what it should — another remark of Prof. Imon. Unfortunate delay? Third euphemism.

And then, Prof. Imon praises the role of civil society: “civic society, and intellectuals and professionals, should act like a check and balance body. So if there is a thing that the government could do in a better way, they raise their voice and talk about it.” This is all great, and exactly what the New Macau Association (NMA) — they must feel lonely! Fourth euphemism — did in December 2016 by going to the UNESCO headquarters in Paris to argue that the “visual integrity” of the Guia Hill and Monte Fortress was being threatened by the height of construction projects authorised in Calçada do Gaio, an integral part of the buffer zones defined around the World Heritage sites. This is what ultimately led the Macao government to send in March 2017 “a report on the state of conservation” that had been requested by the UNESCO early in 2015!

Commenting on the report, UNESCO is showing signs of impatience: on top of recommending Heritage Impact Assessments be carried out for all new major construction projects, it is asking for its own pre-emptive review of the Master Plan for New Reclamation currently being drafted.