Slick neo-noir ‘Gemini’ stays surface level

Writer-director Aaron Katz’s “Gemini “ is a very stylishly executed and well-cast attempt at a Lynchian neo-noir that doesn’t really work. Glum and meandering, the Los Angeles-set

Soderbergh’s ‘Unsane’ is pulp seen through an iPhone

Steven Soderbergh, who briefly retired from Hollywood after lamenting its timid small-mindedness, has shot his second post-hiatus film entirely on an iPhone. “Unsane,” a pulpy psychological

‘Love, Simon’ a fresh and classic take on first love

Some things are universal about being a teenager: The budding sexuality and sense of identity, the dramatic emotions, the profound need for acceptance and confusing inklings of first love.

‘Annihilation’ is a trippy and frightful fantasia

"The Shimmer" is the name given to the mysterious phenomenon that, after a meteor strike, settles along a swampy coastline in Alex Garland's "Annihilation." It's an area enclosed by

Israeli family/military drama ‘Foxtrot’ is a stunner

Watching the Israeli film “Foxtrot “ is like watching a dream play out. Writer-director Samuel Maoz’s (“Lebanon”) excellent film is of course more structured than the

Bateman, McAdams anchor lively and fun ‘Game Night’

A murder mystery party goes sideways when violent kidnappers arrive before the fake ones in “Game Night,” which seems on the page to be like all the

Lean and mischievous, ‘The Party’ is worth your time

Sally Potter’s new film “The Party" is 71 minutes long. That fact alone shouldn’t necessarily be a selling point — stories need as long as

‘Black Panther’ is dazzling grand-scale filmmaking

The supposedly cosmically vast Marvel Cinematic Universe, as it’s called, spans planets peppered throughout the galaxy, but Ryan Coogler’s Earth-bound “Black Panther,” glittering and galvanizing, stands worlds

A star is born in Oscar-nominee ‘A Fantastic Woman’

The lead character of Sebastian Lelio’s film “A Fantastic Woman “ is named Marina. She is a nightclub singer and a waitress. She has a boyfriend, Orlando,

A provocative drama in Oscar-nominated ‘The Insult’

In the provocative Lebanese film “The Insult ,” a minor conflict over a gutter between two ordinary men in Beirut spirals and escalates to the level of

With Hugh Grant, ‘Paddington 2’ is simply wonderful

Paddington 2” is that rare creation that somehow improves on its already charming predecessor. Maybe it’s the addition of Hugh Grant as a lunatic faded star

In ‘In the Fade,’ a seldom seen face of terrorism

It’s startling how few filmmakers have tried to tackle terrorism with anything beyond a standard procedural account. It’s less surprising that one of the few to really

‘Phantom Thread’ spins a rich showcase for Day-Lewis

With echoes of “Rebecca” and lavish Max Ophuls productions, writer and director Paul Thomas Anderson spins the tale of an obsessive fashion designer and his muse into

‘Downsizing,’ a big-picture film about little people

It’s hard to say what’s better about the first half of Alexander Payne’s wonderfully weird — or is it weirdly wonderful? — “Downsizing”: the audacity of its premise,

‘Bright’ is when Harry Potter vomits on a cop flick

That old Hollywood standby, the venerable buddy cop movie, may have met its anguished demise this holiday season. Will Smith just killed it. Virtually every permutation

Spielberg, Streep and Hanks deliver in ‘The Post’

The Post” is kind of like the Yankees of movies. A Steven Spielberg directed film about the Pentagon Papers starring Tom Hanks, Meryl Streep and a murderer’s

Woody Allen goes in circles with dark ‘Wonder Wheel’

The great playwright Eugene O’Neill looms as large over Woody Allen’s latest film as the giant Ferris wheel that dominates the movie’s Coney Island setting. It’s

In ‘Disaster Artist,’ Franco finds his masterpiece

Who is Tommy Wiseau? It’s a question that has long befuddled and endlessly amused fans of “The Room,” the infamously bad 2013 movie Wiseau directed, self-financed and starred

‘Mudbound’ a moving, literary epic of family, race

Perhaps it’s a sign of the times that after seeing an epic story as poetically told as Dee Rees’ “Mudbound,” feelings of awe and admiration are quickly

In ‘Wonder,’ a sweetly sincere message movie

It’s hard for us cynical souls to walk into a movie advertised with the tagline “Choose kindness” and not shudder in trepidation. What sentimental hooey is this?

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