FOUNDER & PUBLISHER Kowie Geldenhuys
EDITOR-IN-CHIEF Paulo Coutinho
Macau,
Not many artists break out on their first record, but Luke Combs did it without much fanfare, dropping an album two years ago that has spent 50
Don’t judge a book by its cover, or, at least with Van Morrison, an album by its title. Arriving on the heels of a successful series
Neil Young is back with his old band Crazy Horse in all their ragged glory with “Colorado,” a beautiful, rambling, chaotic howl against climate change, division and hate.
In his first release in more than seven years, Kentucky-born country rocker Chris Knight has snarled out an album that’s gruff, uncompromising and perfect for the times.
With all the talk about bleakness and the experiences of anger and loss affecting “Giants of All Sizes,” you’d imagine Elbow’s eighth studio album arriving with an
The blues is alive and kicking, and rock ain’t dead either. Thank the North Mississippi Allstars for that reminder. Luther and Cody Dickinson’s latest album is a communal jam
The new album by Hiss Golden Messenger is one to play on repeat, immersing in every nuance. It’s Americana music with a purpose. Like the North Carolina band’s earlier
Emeli Sandé’s music has always leaned into the epic. Her clear, full voice powers sweeping anthems, most of which seem perfectly suited for bringing energy to momentous occasions (remember
Charli XCX could easily have turned in a safe, hit-heavy pop-dance album this year. But where’s the fun in that? If Jack White is the mad
Indie-rock duo Whitney may have a light, easy sound, but that isn’t an indication of the themes they touch on or emotions they evoke. The pair peaked interest in
If you want an easy way to see how far Taylor Swift has come since her last album, just compare the two covers. If 2017’s “reputation” featured
A single guitar solo is by itself worth the price of admission to Jason Hawk Harris’ world. The climactic moment on the Houston native’s full-length debut
Seasoned music industry pro Jesse Dayton is out with his 12th studio album, “Mixtape Volume 1,” a bawdy collection of ho-hum country, masquerading as edgy outlaw stuff.
Texas-raised duo Penny & Sparrow had to do some heavy touring to truly search their souls. They explore the resulting range of emotions and deliver it on
Love songs may be known for their traditionally jovial tone, but on Cuco’s full-length debut he gives his love ballads a darker tone. “Para Mi” has lighter moments and
California-artist Scott Hansen, better known as Tycho, is back with his fifth studio album “Weather,” one that begins much as one might expect. Opener “Easy” is
The new album by The Flaming Lips is a head trip — literally. The ever-evolving, mind-blowing alt-rockers have somehow upped their game with a concept album
It’s always been hard to pin down K.Flay’s music. She’s a bit of a sonic chameleon, mixing elements of hip-hop, rock and indie pop with moods that
Southern comfort blues-rock has never been about bluster, but Allman Betts Band could have ramped things up a notch on "Down to the River," a lackluster album from
Songstress, poet and darn good cyclist Joanna Wallfisch draws from both disappointment and wonder on her latest album. The emotions chronicle a west coast road trip and
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