FOUNDER & PUBLISHER Kowie Geldenhuys
EDITOR-IN-CHIEF Paulo Coutinho
Macau,
The 11 songs on the aptly named “Hyperspace” are airy and psychedelic, with warm textures and waves of shimmering synth. “Hyperspace” seems a natural progression
At the end of a year that saw musicians like Niall Horan and Ed Sheeran gingerly dip their toes into other languages, Coldplay have responded: Hold my
It may be a tired cliche to say someone was one of a kind, but Mose Allison most definitely was. A jazz and blues pianist whose songwriting career meshed
Leonard Cohen’s last album, released just weeks before he passed in 2016, was “You Want It Darker,” which had a sense of finality that made it a
Hard-times troubadour Tom Waits gets the Great American Songbook-style treatment in “Come On Up to the House,” a classy collection of covers performed by two generations of
Joanna Connor takes her powerful guitar down new paths on “Rise,” an album featuring some jazzier hues, her considerable acoustic skills and even a guest rapper while
Not many artists break out on their first record, but Luke Combs did it without much fanfare, dropping an album two years ago that has spent 50
Don’t judge a book by its cover, or, at least with Van Morrison, an album by its title. Arriving on the heels of a successful series
Neil Young is back with his old band Crazy Horse in all their ragged glory with “Colorado,” a beautiful, rambling, chaotic howl against climate change, division and hate.
In his first release in more than seven years, Kentucky-born country rocker Chris Knight has snarled out an album that’s gruff, uncompromising and perfect for the times.
With all the talk about bleakness and the experiences of anger and loss affecting “Giants of All Sizes,” you’d imagine Elbow’s eighth studio album arriving with an
The blues is alive and kicking, and rock ain’t dead either. Thank the North Mississippi Allstars for that reminder. Luther and Cody Dickinson’s latest album is a communal jam
The new album by Hiss Golden Messenger is one to play on repeat, immersing in every nuance. It’s Americana music with a purpose. Like the North Carolina band’s earlier
Emeli Sandé’s music has always leaned into the epic. Her clear, full voice powers sweeping anthems, most of which seem perfectly suited for bringing energy to momentous occasions (remember
Charli XCX could easily have turned in a safe, hit-heavy pop-dance album this year. But where’s the fun in that? If Jack White is the mad
Indie-rock duo Whitney may have a light, easy sound, but that isn’t an indication of the themes they touch on or emotions they evoke. The pair peaked interest in
If you want an easy way to see how far Taylor Swift has come since her last album, just compare the two covers. If 2017’s “reputation” featured
A single guitar solo is by itself worth the price of admission to Jason Hawk Harris’ world. The climactic moment on the Houston native’s full-length debut
Seasoned music industry pro Jesse Dayton is out with his 12th studio album, “Mixtape Volume 1,” a bawdy collection of ho-hum country, masquerading as edgy outlaw stuff.
Texas-raised duo Penny & Sparrow had to do some heavy touring to truly search their souls. They explore the resulting range of emotions and deliver it on
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