FOUNDER & PUBLISHER Kowie Geldenhuys
EDITOR-IN-CHIEF Paulo Coutinho
Macau, Saturday, April 26, 2025
Hordes of horror films line up for Halloween and a sleigh full of Christmas movies arrive annually in December, but there is slightly less competition around the
Before Jack Ryan was introduced into the culture, Robert Littell imagined Charlie Heller, a quiet, CIA cryptographer who goes rogue on a quest for vengeance after his
Having it all means different things to everyone, but a rent-controlled apartment in Manhattan is probably pretty close to a universal dream — even for non-New Yorkers.
Nathan Caine may not be able to feel pain, as the tagline for the new action-comedy “Novocaine” reads, but the same does not apply to audiences.
Shula is driving home from a fancy dress party one night when she encounters an unusual sight in the middle of a country road: her Uncle
A routine deep-sea diving mission in the North Sea goes terribly wrong when a young diver is stranded some 300 feet below the surface in the new film
It’s not unusual for a city to double for another metropolis in movies. New Yorkers have long been able to spot when Toronto has been substituted for
“Iris, wake up!” Early in “Companion,” lovely Iris and her nerdy-nice boyfriend Josh are driving to a secluded lake house for a stay with friends.
The irony shouldn’t be lost on anyone that “No Other Land,” a documentary about the systemic demolition of Palestinian homes in the West Bank, cannot find a
The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.” The filmmaker traps the audience in a beautiful suburban home, letting us
Blake Lovell thinks taking his wife and young daughter to rural Oregon to pack up his dead father’s belongings is a good idea. It’s a break from
I came out of the womb with jazz hands,” pop star Robbie Williams recounts in “Better Man,” his new biopic. “Which was very painful for my mum.”
Films that are straightforwardly about death are rare, but movies that are about both death and sex are rarer, still. In Pedro Almodóvar’s “The Room
Of all the post-apocalyptic landscapes we’ve been treated to over the years, none is as beautiful nor peaceful as that of “Flow.” In Gints Zilbalodis’
Rome teeters on the brink in Ridley Scott’s “Gladiator II.” Its fall is said to be imminent. The dream it once symbolized is dead. The once high-minded
Angelina Jolie glides through the final days of Maria Callas’ short life in Pablo Larraín’s “Maria,” a dramatic, evocative elegy to the famed soprano. It’s an
Toward the end of Netflix’s “Joy,” the muffled cry of a newborn baby prompts a man and woman in a hospital to embrace out of pure bliss.
“Heretic” opens with an unusual table setter: Two young missionaries from The Church of Jesus Christ of Latter-day Saints are discussing condoms and why some are
Robert Zemeckis’ latest movie is insanely ambitious, starting with the dinosaurs and ending in present day with the Roomba. But it’s fixed on just one spot.
In Edward Berger’s “Conclave,” the selection of the pope is no holy affair. Instead, it’s a petty, political campaign carried out in secrecy, where gossip flows,
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