FOUNDER & PUBLISHER Kowie Geldenhuys
EDITOR-IN-CHIEF Paulo Coutinho
Macau,
It is sickly hilarious to make a movie in which so much consensual sex is had, often so gleefully, that is not the least bit sexy.
Something strange has happened to Eileen Dunlop, and we don’t just mean the plot of “Eileen.” The adaptation of novelist Ottessa Moshfegh’s delicious coming-of-age heroine has
In Ridley Scott’s “Napoleon,” Joaquin Phoenix portrays the legendary French emperor in a film that defies the traditional grandeur of historical epics. With a runtime of
In “Next Goal Wins,” a soccer coach comes from far away to lead a hapless group of athletes. He’s a fish-out-of-water type, ill-suited for the job,
Quick: What’s a good adjective for Nicolas Cage’s screen presence? Mercurial, perhaps? Volcanic? Volatile? How about mundane, schlubby, average? Not the page we’d think
The 1963 March on Washington drew an estimated 250,000 people from across the country — the largest march at that point in American history — and
Dreamily gazing at the album covers of Elvis Presley was not, statistically speaking, a rare habit among American teen girls in the late 1950s and early
There tends to be lots of fast talking and fast moving in Martin Scorsese films, often from shifty types trying to get away with something. Or sometimes, simply because
Jamie Foxx deploys his movie star charm judiciously and skillfully as a litigator with swagger to spare in “ The Burial,” a very entertaining courtroom drama.
The little guy — or at least the little guy with a few hundred bucks to sink into the stock market — gets a movie to
John Carney, the Irish filmmaker of “Once,” “Sing Street” and “Begin Again,” makes the movie version of “three chords and the truth.” His films, unabashedly earnest,
Anyone who has eagerly followed Gabriel Garcia Bernal since his breakthrough roles in “Amores Perros” and “Y tu mamá también” likely never foresaw him one day
It’s turning out to be quite a summer for superspies and supercomputers. A month after the action feast of “Mission: Impossible — Dead Reckoning Part
The rites and rituals of the raunchy high-school comedy can be as prescribed as a class syllabus. But what makes Emma Seligman’s “Bottoms” such an anarchic thrill
Christopher Nolan’s “Oppenheimer” is a kinetic thing of dark, imposing beauty that quakes with the disquieting tremors of a forever rupture in the course of human history. “Oppenheimer,”
Among the low-hanging fruits of satire, sleepaway theater camps would dangle about as low as social-media influencers and Def Leppard cover bands. But “Theater Camp,”
The egos are as vast and thorny as the gardens on the lush estate of a prominent author in “ The Lesson,” an entertaining and erudite
The magic of Indiana Jones belongs wholly to Harrison Ford. Apparently, he doesn’t even necessarily need Steven Spielberg behind the camera, though, to be fair, the
Let’s get this upfront: “Spider-Man: Into the Spider-Verse” was the best comic-book film of the last decade. With an animation blizzard blown straight in
If you were to resurrect the tired storyline of a young couple having to meet their partners’ parents and were looking around for someone to play
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