Job opportunities seldom diverge as greatly as they do for the former special forces operatives of J.C. Chandor’s “Triple Frontier.” There is selling condos or taking contract
The art installation, so often a playground in the contemporary art museum, is in Dan Gilroy’s gloriously gory satire “Velvet Buzzsaw” a terror chamber. Interactivity is involuntary.
Consider it an early Christmas gift: “Anna and the Apocalypse” is the zombie horror holiday musical you didn’t know you needed. Just imagining that first pitch
Both tender apologia and vigorous justification, Clint Eastwood’s “The Mule” is a deeply, fascinatingly personal meditation from the 88-year-old director who, like his aged drug mule protagonist,
Black ink drips from the tip of a brush and daggers into clear water, spiraling out like smoke; a Chinese zither sounds a ferocious, twanging note that
Yorgos Lanthimos’ “The Favourite,” a wicked blast of nasty fun, gleefully dispenses with the usual decorum of the period drama to free its powerhouse trio of actresses
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