FOUNDER & PUBLISHER Kowie Geldenhuys
EDITOR-IN-CHIEF Paulo Coutinho
Macau,
In Ridley Scott’s “Napoleon,” Joaquin Phoenix portrays the legendary French emperor in a film that defies the traditional grandeur of historical epics. With a runtime of
In “Next Goal Wins,” a soccer coach comes from far away to lead a hapless group of athletes. He’s a fish-out-of-water type, ill-suited for the job,
Quick: What’s a good adjective for Nicolas Cage’s screen presence? Mercurial, perhaps? Volcanic? Volatile? How about mundane, schlubby, average? Not the page we’d think
The 1963 March on Washington drew an estimated 250,000 people from across the country — the largest march at that point in American history — and
Dreamily gazing at the album covers of Elvis Presley was not, statistically speaking, a rare habit among American teen girls in the late 1950s and early
There tends to be lots of fast talking and fast moving in Martin Scorsese films, often from shifty types trying to get away with something. Or sometimes, simply because
Jamie Foxx deploys his movie star charm judiciously and skillfully as a litigator with swagger to spare in “ The Burial,” a very entertaining courtroom drama.
The disquieting root of Chloe Domont’s slinky, slick feature debut “Fair Play” lies in the face of Luke (Alden Ehrenreich) as he learns that his fiance
The little guy — or at least the little guy with a few hundred bucks to sink into the stock market — gets a movie to
John Carney, the Irish filmmaker of “Once,” “Sing Street” and “Begin Again,” makes the movie version of “three chords and the truth.” His films, unabashedly earnest,
Anyone who has eagerly followed Gabriel Garcia Bernal since his breakthrough roles in “Amores Perros” and “Y tu mamá también” likely never foresaw him one day
The Chilean dictator Augusto Pinochet is not dead in Pablo Larraín’s “El Conde.” He is instead a 250-year-old vampire living in semi-exile and wishing for
It’s turning out to be quite a summer for superspies and supercomputers. A month after the action feast of “Mission: Impossible — Dead Reckoning Part
The rites and rituals of the raunchy high-school comedy can be as prescribed as a class syllabus. But what makes Emma Seligman’s “Bottoms” such an anarchic thrill
Red, White & Royal Blue “ is a harmlessly enjoyable fantasy rom-com. It’s not Nora Ephron or Nancy Meyers, nor is it really trying to be. It’s
You’ve got to hand it to the Philippou brothers. They’ve taken an old horror cliche — a severed hand — and made something worth, well, applauding.
If you’ve been wondering where all the sex has gone from the movies, you’re in luck: The new film “Passages” does not hold back in depicting
Christopher Nolan’s “Oppenheimer” is a kinetic thing of dark, imposing beauty that quakes with the disquieting tremors of a forever rupture in the course of human history. “Oppenheimer,”
Among the low-hanging fruits of satire, sleepaway theater camps would dangle about as low as social-media influencers and Def Leppard cover bands. But “Theater Camp,”
The egos are as vast and thorny as the gardens on the lush estate of a prominent author in “ The Lesson,” an entertaining and erudite
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