Since Hailee Steinfeld rode into town in “True Grit,” we’ve been fairly blessed by the big-screen breakthroughs of teenage actresses. To name just a few: Anya Taylor-Joy
It’s hard to begin watching the Netflix movie “The Highwaymen” and not think about the way it will inevitably end — in a famous ambush and a
Job opportunities seldom diverge as greatly as they do for the former special forces operatives of J.C. Chandor’s “Triple Frontier.” There is selling condos or taking contract
The art installation, so often a playground in the contemporary art museum, is in Dan Gilroy’s gloriously gory satire “Velvet Buzzsaw” a terror chamber. Interactivity is involuntary.
Consider it an early Christmas gift: “Anna and the Apocalypse” is the zombie horror holiday musical you didn’t know you needed. Just imagining that first pitch
Both tender apologia and vigorous justification, Clint Eastwood’s “The Mule” is a deeply, fascinatingly personal meditation from the 88-year-old director who, like his aged drug mule protagonist,
Black ink drips from the tip of a brush and daggers into clear water, spiraling out like smoke; a Chinese zither sounds a ferocious, twanging note that
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