FOUNDER & PUBLISHER Kowie Geldenhuys
EDITOR-IN-CHIEF Paulo Coutinho
Macau,
Beau may be afraid but Ari Aster certainly isn’t. Of the many words used to describe the writer-director’s previous two films — “Hereditary” and “Midsommar”
Coming-of-age comedies about young protagonists with esoteric dreams are not exactly a rarity. What is less common, though, are films as spirited and charming as Nida
“Renfield” is not Nicolas Cage’s first blush with a vampire. In 1988’s “Vampire’s Kiss,” he played a New York literary agent who thought he was
A trip to Paris should be on everyone’s bucket list, even John Wick. The Eiffel Tower, the Arc de Triomphe, the Louvre — what better way to
It’s one of the great ironies of cinema that many — not all, but many — of the most seemingly arthouse filmmakers make some of the most
David Letterman joins Bono and The Edge in a new streaming documentary about U2 and one obvious question soon jumps out: What exactly is David Letterman
For anyone holding on to some latent hope that Idris Elba will be the next James Bond, I have some bad news: “ Luther: The Fallen Sun
It must be a daunting prospect to pick up a franchise on the third movie. Add in the pressure of following filmmakers like Ryan Coogler and Steven
Though gently restrained and delicately crafted, “The Quiet Girl” has managed to make plenty of noise. Colm Bairead’s modestly scaled drama, his narrative directorial debut, is
Like most things, the title of Mia Hansen-Løve’s “One Fine Morning” sounds better in French. “Un Beau Matin” doesn’t have that same rom-commy ring. But it’s
Sentimental tales about grumpy old men and American decline have, until recently, typically been the domain of Clint Eastwood. But in “A Man Called Otto,” Marc
Let’s face it, “Pinocchio” has always been an odd choice for a children’s morality tale. Of course, lying is wrong. But that’s not the
If you don’t have children, you will likely walk out of “The Son” shaken and deeply moved. If you do have kids, you may have to be eventually
What are we eating? A Rolex?” So quips Margot (Anya Taylor-Joy) in Mark Mylod’s “The Menu” as she waits with her date, Tyler (Nicholas Hoult),
In Phyllis Nagy’s “Call Jane,” Joy (Elizabeth Banks) is a 1960s housewife married to a defense attorney (Chris Messina) with a teenage daughter (Grace Edwards) and a
An insomniac detective falls for a beautiful suspect in a suspicious death he’s investigating in “Decision to Leave.” This deceptively simple premise is stretched over two beguiling
Time is the thing,” says Lydia Tár (Cate Blanchett) in Lydia, a world-renown conductor, is explaining her art as more than waving a baton around —
Viola Davis should have been leading armies this whole time. In “ The Woman King,” the always regal Oscar-winner is a mass of muscle, battle
Barbarian” starts at night with a heavy downpour and a thunderclap. So far, so good, for what seems to be a classic horror movie. Hold onto
Regina Hall and Sterling K. Brown give fully committed performances in “Honk for Jesus. Save Your Soul,” so why does the film lack faith in itself?
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