Young girls dance in a traditional Hindu festival threatened by changing times

Ketut Nita Wahyuni

Ketut Nita Wahyuni lifts her folded hands prayerfully to her forehead as a priest leads the temple gathering. The 11-year-old is preparing to perform the Rejang Dewa, a sacred Balinese dance.

The rituals are part of the two-week-long Ngusaba Goreng, a thanksgiving festival for a rich harvest. “Ngusaba” means gathering of the gods and goddesses.

There are various forms of rejang performed during different occasions and rituals in Bali. Wahyuni and her friends have an important role during the festival. Rejang Dewa and Rejang Pucuk, performed on two separate days, are reserved only for girls who have not yet attained puberty.

“Being a rejang started when she lost her tooth until pre-puberty. We believe they are still pure to present dance to God during this time,” her father Nyoman Subrata says.

As traditional chief of Geriana Kauh village, Subrata says he is proud to see his daughter participating in this ritual. Subrata is committed to the responsibilities of maintaining religious traditions that have passed down through generations.

Balinese Hinduism brings together Hindu philosophy and local animist traditions with some Buddhist influence. It is a way of life, building a connection between the people, their heritage, and the divine.

A day later, Wahyuni’s mother Kadek Krisni has picked fresh flowers from their garden and prepared an elaborate headdress while her daughter was in school. Today is Rejang Pucuk day, one of the most sacred forms of Rejang. It was routine as usual in the morning. The latter half of the day will be spent in the temple. T his is life in Bali.

Krisni says she participated in the same rituals as a child and is “happy there there is someone in the family continuing the ritual.”

There is apparent pride even in someone as young as Wahyuni in offering her service to the temple. Her friends are also part of the group and there is excitement as they share their experiences.

“I also learn how to apply makeup,” she says with a smile.

But despite the strong roots, there is also a fear for these traditions’ place in the future. Subrata expresses concern that the younger generation is opting to leave the village for the city or overseas in search of work. He stresses the importance of being pragmatic and finding ways to maintain the Balinese traditional heritage without it being an impediment to the economic growth of the people.

“It is natural when they grow up and make their own choices, but I hope they don’t forget the place where they were born and their cultural traditions,” he says. FIRDIA LISNAWATI, BALI, Indonesia, MDT/AP