FOUNDER & PUBLISHER Kowie Geldenhuys
EDITOR-IN-CHIEF Paulo Coutinho
Macau,
Ketchup, mustard, two pickles. In John Lee Hancock’s When Kroc (Michael Keaton), a struggling traveling salesmen selling milkshake mixers, first beelines to San Bernardino, California,
B ombs detonated in the center of Boston are disarmed by bonds of family and community in Peter Berg’s “Patriots Day,” a stirring ode to civic life
Just like a Michael Moore documentary, there’s nothing subtle about a Ken Loach drama. The 80-year-old British director and social critic has long been an ardent,
Martin Scorsese's "Silence " is not an easy film to watch. At times it's grotesquely violent, at others tediously slow. But it is a full and worthy
N ot since young Abe have the early formations of an American president inspired as much moviemaking as Barack Obama’s early life. Vikram Ghandi’s “Barry,” a snapshot of Obama as
There are two ways to view “Lion.” One is as a heart-warming tale of love beyond boundaries and the incandescent pull of home. The more cynical view is that
Chilean director Pablo Larrain is on a hero’s quest to destroy the conventional biopic it seems. He turned the post-assassination days of Jacqueline Kennedy into an atmospheric examination of
History, lately run amok, is ordered with such tidy, forceful finesse by Natalie Portman’s Jacqueline Kennedy in in the piercing “Jackie.” Summoning a journalist to Hyannis Port in 1963,
Lily Collins (left), and Alden Ehrenreich in a scene from "Rules Don't Apply" Warren Beatty doesn't want us to regard "Rules Don't Apply," in which he stars as Howard
It's hard to overstate the magnificence of Kenneth Lonergan's "Manchester by the Sea ." His third feature following "You Can Count on Me" and "Margaret" is one that swells
Billy Lynn’s Long Halftime Walk “ is not a war movie in the traditional sense. There are battle scenes, and brothers in arms banter, sure, but
There is an ancient tradition of falconry practiced by the people of Mongolia where burkitshi, or "eagle hunters," train golden eagles to respond to their call and hunt hares and
By a twist of fate, there are two infernos you can submerge yourself in this weekend. You can either take the Dan Brown audio tour of Florence and Dante’s Divine
The modern studio comedy increasingly feels limp, suffocated by the financial imperatives of high-concept plots and desperately in search of signs of life. Greg Mottola’s “Keeping Up With the Joneses”
The bean counter cometh. In Gavin O'Connor's "The Accountant," starring Ben Affleck, the paper-pushing CPA — roughly the exact opposite of Schwarzenegger or Stallone — gets his shot at action hero
We all know how “Deepwater Horizon “ ends. When the BP oil rig exploded in the Gulf of Mexico in 2010, 11 people died and millions of gallons of oil
Mick Jackson's "Denial" brings all the decorous polish of a British courtroom drama to the pungent libel case of a Holocaust denier. Based on Deborah Lipstadt's book "History on Trial: My
Deciding to remake “The Magnificent Seven” with a fresh batch of movie stars is certainly no sin. John Sturges’ 1960 tome, itself a remake of Akira Kurosawa’s classic “Seven Samurai,”
Edward Snowden, who cast himself as the hero of his own spy movie, gets the real thing in Oliver Stone's Hollywoodized biopic of the National Security Agency whistleblower. Who but an
In “Sully,” Clint Eastwood’s haunted and sterile docudrama of Capt. Chesley Sullenberger’s 2009 landing of Flight 1549 on the Hudson, Eastwood has drained away all the superficial, rah-rah heroism of
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