In ‘The Witch,’ a haunting prequel to Salem

Set under gray Puritan skies in a deathly autumn, "The Witch" is a slow-burning 1600s horror thriller so bone-dry it would only take a match for the whole movie to

‘Zoolander 2’ tries a little too hard to up the ante

In case you don't follow the global fashion calendar, Fashion Week has just begun in New York, bringing with it a few nice clothes plus the usual over-the-top weirdness —

In ‘Hail, Caesar!’ a studio fixer’s faith is tested

The Coen canon reaches a crescendo — or rather a warped inversion of one — in "Hail, Caesar!" when the brothers assemble a quartet of religious leaders from various faiths

Waves and nostalgia wash over ‘The Finest Hours’

Waves of water and nostalgia wash over the drenched and drippy "The Finest Hours," a Norman Rockwell painting tossed into stormy CGI seas. The disaster drama, directed by Craig Gillespie ("Lars

Maggie Smith in her wheel house in ‘Lady in the Van’

  There are cozy, innocuous pleasures to Nicholas Hytner’s adaption of Alan Bennett’s “The Lady in the Van,” but chief among them is watching two grand old talents — Maggie Smith

‘Making a Murderer’ depicts justice gone awry

Making a Murderer" is the latest series to demand you not just watch, but binge. But since its Netflix debut on Dec. 18, it's become even more encompassing: a Thing, a

Charlie Kaufman’s ‘Anomalisa’ will break your heart

In "Anomalisa" everyone looks and sounds the same. They have the same face (Caucasian, bland, non-descript). They have the same voice (Tom Noonan's). They bore our protagonist Michael Stone (voiced

Moore ‘invades’ Europe to teach us all some lessons

Of course Michael Moore exaggerates. Of course he engages in cheerful, unabashed cherry-picking. Of course he sees black and white where most of us see shades of gray. That doesn’t necessarily

A sensitive Will Smith anchors worthy ‘Concussion’

One of the most impactful scenes in “Concussion” is a brief and wordless one: Just a few seconds, really, of a high school football team going through its drills. We don’t

Holocaust tale ‘Son of Saul’ haunts and provokes

Son of Saul" doesn't just get under your skin — it goes straight to the bloodstream. There, it churns and festers as you try to make sense out of the

Ron Howard’s ‘In the Heart of the Sea’ is adrift

Ron Howard’s “In the Heart of the Sea” is a curious beast. The ambitions are as big as a whale; the results are an earnest wreck. It could possibly work

Spike Lee’s blistering ‘Chi-Raq’ burns with rage

More alive than most of the year’s films put together, Spike Lee’s “Chi-Raq” is urgent agitprop that pulsates with unalloyed rage for the “self-inflicted genocide” of South Chicago and explodes

Yo Rocky! Gritty, soulful ‘Creed’ goes the distance

Admit it. When you heard another "Rocky" movie was coming out — a seventh — you thought, really? How many "Rocky" movies do we need? Well, it turns out we needed

A marriage on the rocks in Jolie Pitt’s ‘By the Sea’

How do we picture the private lives of Angelina Jolie Pitt and Brad Pitt? If they were to, say, wind along the Mediterranean coast in a top-down convertible with Serge

‘Peanuts Movie’ a worthy romp for the beloved gang

Maybe the Peanuts gang hasn't been on the big screen in decades because they've had so much success on the small one, with specials like "The Great Pumpkin" and "A

‘Spectre’ stirs, doesn’t shake old Bond formulas

Where to go when 53 years of action-scene set pieces have exhausted seemingly every exotic corner of the Earth? How much globe can a globe-trotter trot? The answer kicking off the

Ronan enchants in warm immigrant tale ‘Brooklyn’

Brooklyn” is a story for anyone who has ever left home. It’s a story for those who’ve waffled in indecision, for those forming their identities and forging their own paths.

Larson, Tremblay illuminate the darkness of ‘Room’

  Arresting and heartbreaking, wrought with extremes of tension and love, "Room" is as evocative and unforgettable on screen as in the bestselling novel that inspired it. This is the kind of

Del Toro’s ‘Crimson Peak’ casts a gothic spell

The most pressing threat in Guillermo del Toro's gothic horror "Crimson Peak" isn't the ooze-filled cauldrons of dead souls in the basement of the old Victorian mansion, nor the plotting,

Authentic, moving performances elevate ‘Freeheld’

Few actresses bring the simple authenticity to the screen that Julianne Moore does; it's virtually impossible to imagine this actress sounding a false note. And so it's hardly a surprise

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