What are we eating? A Rolex?” So quips Margot (Anya Taylor-Joy) in Mark Mylod’s “The Menu” as she waits with her date, Tyler (Nicholas Hoult),
In Phyllis Nagy’s “Call Jane,” Joy (Elizabeth Banks) is a 1960s housewife married to a defense attorney (Chris Messina) with a teenage daughter (Grace Edwards) and a
An insomniac detective falls for a beautiful suspect in a suspicious death he’s investigating in “Decision to Leave.” This deceptively simple premise is stretched over two beguiling
Time is the thing,” says Lydia Tár (Cate Blanchett) in Lydia, a world-renown conductor, is explaining her art as more than waving a baton around —
Viola Davis should have been leading armies this whole time. In “ The Woman King,” the always regal Oscar-winner is a mass of muscle, battle
Barbarian” starts at night with a heavy downpour and a thunderclap. So far, so good, for what seems to be a classic horror movie. Hold onto
Regina Hall and Sterling K. Brown give fully committed performances in “Honk for Jesus. Save Your Soul,” so why does the film lack faith in itself?
Breaking,” Abi Damaris Corbin’s lean and heartfelt first feature, is a lackluster bank-robbery thriller with noble intentions enlivened by an impassioned performance by John Boyega and an
A boisterous extended clan gathers for a family holiday, launching the requisite arguments, hurt feelings, grudges, inside jokes, laughter, love, reconciliation and lots of eating, plus maybe
Bodies Bodies Bodies “ might just be the first great Gen Z thriller. In director Halina Reijn’s film is a razor-sharp satire of a very specific
The first shots of “A Love Song” are a signal for the rest of the film — stubborn flowers and shrubs pushing through dry, stony earth in
Paul Gallico’s 1958 novel “Mrs. ‘Arris Goes to Paris,” about a British cleaning lady with high couture dreams, wouldn’t seem to have even a stitch of contemporary
The new adaptation of “ Persuasion, “ coming to Netflix Friday, does not seem to have been made for Jane Austen fans. Her book about the
The last full Thor movie was the overstuffed 2017 “Thor: Ragnarok,” with the God of Thunder dealing with dueling brother and sister issues, the imminent destruction of
For a not small segment of the audience for “Minions: Rise of Gru,” only one thing really needs to be said. The Minions are in it. That’s
Female desire is not a topic that gets a lot of space in mainstream Hollywood movies. And the desire of women north of 45? Well, that’s
By now you’d think you know what you’re getting with an Adam Sandler sports movie. “Happy Gilmore” and “The Waterboy” have conditioned us to expect silly
On the Count of Three” is marketed as a “darkly comic” movie. Well, there’s dark comedy and there’s darker comedy, and then there’s comedy like this
When there are so many fictional, burly varieties of heroes so regularly on movie screens, it’s jarring to see that the genuine article can be
If “Petite Maman” left you feeling a little too good about mothers, daughters and empathy, Finland may just have the antidote in Hanna Bergholm’s “Hatching,” a
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