Katy Perry returns with the uninspired and forgettable ‘143’

“143” by Katy Perry (Capitol Records)

Katy Perry’s new album title, “143,” is code for “I love you,” based on the number of letters in each word of the phrase. She may love us, but the album is more like 144 — “I made mush.”

Perry’s first LP since 2020’s lackluster “Smile” is just as lackluster, an 11-track blur of thick electronic programming and simplistic lyrics. There’s none of her past cheeky humor, virtually no personality. Even the title is filler.

The rollout has been snakebit from the jump, with the artist under fire for collaborating with music producer Dr. Luke and the video for “Woman’s World” emerging as a sloppy, puzzling attempt at satire. Then her video shoot on a Spanish beach for “Lifetimes” was investigated for potential environmental damage.

It doesn’t help that the first three singles are just OK. “Woman’s World” is a frothy Lady Gaga-esque arena pop anthem, the techno-stomper “Lifetimes” smacks of Calvin Harris from the 2010s and “I’m His, He’s Mine,” featuring Doechii, lazily lifts Crystal Waters’ “Gypsy Woman (She’s Homeless)” from 1991. It’s a trio of tunes that doesn’t scream 578 (“Katy’s totally relevant”).

“Gimme Gimme,” featuring 21 Savage, just lacks bite, a nursery rhyme from a new mother masquerading as a pop song (with crib-adjacent lyrics like “Say the right thing, maybe you can be/Crawling on me, like a centipede”).

“Gorgeous” with Kim Petras is marred by what sounds like a dog’s squeaky toy repeatedly going off in the mix, undercutting the notion of two women “coming out tonight, grab your man and hold him tight.” Squeak!

If the best song on “143” is “Lifetimes,” the worst is easily the closer, a sticky-sweet, wide-eyed plea for innocence in “Wonder,” sticking out like a sore thumb. This is a cynical attempt to have moms in the audience wave their hands in unison as balloons float up, even as it decries cynicism.

“One day when we’re older/Will we still look up in wonder?” she sings, name-checking her daughter, Daisy, who also makes a cute appearance. But by this point, she’s lost our trust, with the 10 previous songs a sonic slog. “143” has no soul or emotion; it’s just a number. MARK KENNEDY, MDT/AP