Reports on Sunday’s G-Dragon concert in Macau’s Cotai open-air venue have sparked conflicting accounts, with local media describing the nearly 30,000-capacity event as running smoothly, while attendees told the Times that the on-the-ground experience was more chaotic.
The Korean music festival “K-Spark In Macau” made its debut in Macau on Saturday, drawing a crowd of 30,000. Some Chinese media reports quoted organizers as stating that the concert’s successful debut yielded excellent results, with orderly entry and exit procedures.
They specifically noted that Macau’s spacious open-air performance venue, combined with K-pop performances’ visual and lighting effects, created a unique sense of freedom and excitement characteristic of music festivals – an experience distinctly different from indoor venues, with the stage design being particularly impressive.
Other reports cited civic leaders noting that authorities implemented temporary traffic controls to improve overall transportation efficiency and facilitate crowd dispersal.
According to interdepartmental announcements, two free shuttle bus routes were arranged during departure periods. Passengers could also enter the light rapid transit (LRT) system at the East Asian Games Station and Cotai East Station within two hours after the event concluded to ride to any station at no cost. As reported, police set up numerous barriers to divert departing crowds.
The K-Spark In Macau concert, which coincided with the May Day Golden Week holiday, drew a large crowd of fans, featuring headline performances by G-Dragon and Daesung, alongside P1Harmony, Kiss Of Life, KiiiKiii, and various other well-known groups.
However, videos circulating online show audience members moving their seats forward without permission, as well as intense physical altercations involving not only shoving and punching but also hair-pulling.
Despite organizers touting that the open-air venue – combined with K-pop’s visual and lighting effects –created a unique music festival atmosphere and set a new benchmark for Macau’s cultural and tourism sector, audience members told the Times that the venue was unable to properly accommodate nearly 30,000 attendees.
One attendee reported that spectators seated far from the stage could neither see the performances nor view them on the screens.
She also complained about chaos at the venue, noting that aside from audience members bringing their own stools, she witnessed fans pulling each other’s hair and fighting in the crowd. “Even the police couldn’t control the situation, let alone the on-site security,” she said.
Other audience members also criticized the venue’s poor sound quality, stating that they were too embarrassed to share footage of the performances publicly.
The incident has become the talk of the city, with both Hong Kong and Taiwanese media covering the story, and members of the public who learned about it online stating, “There really are people who wouldn’t go even if they were given free tickets.”
As the controversy escalated, G-Dragon’s agency, Galaxy Corporation, issued an emergency apology yesterday over the artist’s performance outfit, which featured a Black figure and the phrase “RONNY EEN GEILE NEGER JONGEN” – widely criticized online as racially discriminatory.
“We sincerely apologize for the inclusion of phrases inappropriate in social and cultural contexts on the artist’s performance outfit,” the agency stated.
“Through this incident, we have once again recognized the importance of meticulous cultural sensitivity and responsible review. We will thoroughly examine and improve all internal review and verification procedures, including styling, to operate under more cautious standards.”
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